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Sound and vision take center stage in director Neil Bartlett’s unique interpretation of Derek Jarman’s final film, Blue, created shortly before his passing in 1994. The film, consisting of a blue screen for its entire 74-minute duration, features a collection of voices sharing passages from Jarman’s diary as he faced the gradual loss of his eyesight.

Jarman’s reflections on the impact of AIDS on his friends and community, known then as the ‘gay plague’, offer a poignant glimpse into a world ravaged by tragedy. These somber moments are juxtaposed with a more abstract narrative, creating a layered emotional experience for the audience.

Fast forward thirty years, Bartlett brings a fresh perspective to Blue, with a new ensemble of voices including Travis Alabanza, Joelle Taylor, Jay Bernard, and Russell Tovey. As these performers gather beneath the blue screen, accompanied by original composer Simon Fisher Turner on the piano and a team of talented musicians, the stage is set for a powerful exploration of a pivotal moment in history.

The addition of BSL Interpreter Karen Forbes adds a unique physical element to the performance, enhancing the symphonic quality of the voices and music. The result is a moving, at times humorous, and often thought-provoking tapestry of sound and emotion.

Originally commissioned by WePresent by WeTransfer and presented in collaboration with Basilisk Communications and Fuel, this Glasgow production coincides with the unveiling of a new exhibition dedicated to Derek Jarman at the Hunterian Art Gallery. The combination of the live performance and the art showcase creates a multi-sensory experience that brings Jarman’s artistic vision to life in a truly immersive way.

In conclusion, Blue at the Tramway in Glasgow is not just a theatrical performance but a tribute to a visionary artist and a reflection on a tumultuous period in history. The fusion of music, voice, and visual art creates a lasting impact on the audience, inviting them to contemplate the legacy of Derek Jarman and the enduring power of his work.